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Showing posts with label shoegazing. Show all posts
Showing posts with label shoegazing. Show all posts

Sunday, October 5, 2014

Word of Mouth #15: Keep - Hypnosis For Sleep



This is a self-release, dated July 22, 2014.

More shoegazing! It's also a perfect (in my opinion, anyway) blending of shoegazing with ambient. Just listen to the opener to get what I'm saying.

At $1 a track, you can't go wrong. Releases like these are why BandCamp is a great venue for quality tunes. I'm digging the vocals here especially; they're both mellow and melodic, helping to generate a vibe I've thus far felt in only few genres of music. 

Support these guys if you like what they have to share. And take a look at their official motif while you're at it!

Sunday, March 2, 2014

Word of Mouth #9: Nothing - "Guilty of Everything"

 


This release (out March 4th) is courtesy of Relapse records.

Now, a lot of people are probably on the fence about shoegaze - hell, many people probably have not the faintest clue what shoegaze even is. Well, for those amongst us who are privy to what it is, and how it stands out enough to be called a genre of rock, let's just consider why it may polarize listeners.

It's the heavily distorted, yet melancholic wailing guitars that permeate almost the entire aural experience. In effect, much of the material that can be considered shoegaze resembles what the ambient genre would be like if it were rock-based instead of electronica based. Instead of engineering and mixing tables, sampling and electronic-based instruments, you'd use guitars, drums, bass, and often vocal tracks. Cerebral yet primal.

What the hell does all that have to do with Nothing's upcoming release, Guilty of Everything? Well, this is a remarkable shoegaze release. As I stream the album, with its droning yet consistent quality (such is the magic of shoegaze, which allows for more atmospheric, drawn-out experiences compared to the chaotic stops & turns of hardcore and metalcore), I find myself enamored with all of the sounds contained within. There's nothing like listening to an album that draws you in and doesn't let go until it is all over, and you want to listen again. That's this album in a nutshell. 

The album is streaming, entirely free, on NPR.org's streaming service. The link is to be found above. If you've not yet given it a click, then please do so. It'll dazzle you like it is dazzling me (not sure what track I currently am on, given that I chose to stream the entire album, which is a 38+ minute endeavor). Oh, and it releases on March 4th via Relapse records, just so you can consider clunking your hard-earned money into rewarding these guys for their artistry.


Friday, February 7, 2014

Word of Mouth #8: The Twilight Sad - Live at Paisley Abbey





















This live release is courtesy of Fat Cat records.

It's a live album, recorded at a renowned orchestral location in Scotland, and it's totally free to download.

This indie rock group has been around since 2003, reveling in dark and very personal lyrical & instrumental overtones. As they incorporate the more experimental side of rock with noise, shoegaze, and even industrial, they produce an atmosphere befitting of their name. Then they were able to play at the Paisley Abbey in Scotland, with the orchestra providing a stunning complementary sound, and you've got yourself a free to download, free to enjoy live recording.

Because it's free, you shouldn't have passed it up before even reading this sentence; give yourself a free live album and enjoy the hell out of it.


Monday, December 23, 2013

Word of Mouth #6: Deafheaven - Sunbather



'Sunbather' is a release courtesy of Deathwish Inc. (yes, them again, and god damn it is it glorious).

Yeah, I'm spreading the word about the album that Metacritic, Pitchfork Magazine, Spin Magazine, and Rolling Stone Magazine are declaring the top metal album of 2013. Indeed, its score on Metacritic is a whopping 92 percent, based on 17 critic reviews. The "Best Albums of 2013" page (click here for source) states: "It's the first time a metal album has occupied the #1 slot in our year-end rankings."

Anyway, as I listen to this now, I am astounded at just how texturally rich this release is. I'm four tracks in and I have heard post-rock, black metal, shoegazing, post-hardcore, orchestral, psychedelic, and surely many other wakes of music...so far. Last year's "The Seer" by the legendary avant-garde outfit Swans evoked a similar, inaccessible sound that, without understating it, mindfucks the listener into gleefully masochistic submission.
Is this a review? No. It's a means of spreading the word. Many have heard of Deafheaven's praise by now, and may think I'm riding a bandwagon by publishing this piece, but I'm fucking thrilled to do so. These guys deserve not only your attention, but your recognition for the hard, complex work the guys have put into this release.