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Monday, November 11, 2013

A Pre-Viewing, Pre-Release Reaction to RoboCop (2014)

To drive the points I've made below home, I'll provide two of the main trailers for the film here. The release date of this film is wide in theatres & IMAX and on February 14, 2014:

RoboCop (2014) Trailer 1 (from the "MOVIES Coming Soon" channel):


RoboCop (2014) Trailer 2 (from the "Machinima" channel):



From what is portrayed in the trailers, the film misses the point of the original completely, which was both a multifaceted satire and a decent sci-fi film in its own right. There was a substantive reason for all of the violence and silly occurrences of the original, which was to lampoon the culture which created it in the first place. The themes were strong, such as what it is to be a man, and what it is to be a human being. It also heavily featured run-down sets because it portrayed a stunningly downtrodden near-future Detroit, and took place partially in poor neighborhoods, abandoned factories often taken over by powerful criminals, and the characters themselves were superficially human. It also spoke out against what corporate power can do to a community, by portraying OmniCorp as a rather villainous company willing to level a vast chunk of the city that was under-represented, highly-neglected, and overly exploited because of the desperation of the poor.

Hell, when it comes to the main character, (in the original film) Alex Murphy's brutal slaying in the line of duty managed to invoke a degree of sympathy because of just how over-the-top his death was. Instead of that, we see Alex Murphy getting injured from an explosion...in his driveway. It is a totally safe, unimaginative, totally spontaneous incident that flies in the face of the impact that death of Murphy produced from the 1987 classic. While one can safely assume the remake retains the following aspect, the original showed that Alex Murphy was a good, by-the-books cop willing to perform his duties to the teeth, and he got slaughtered for it in such a horrific fashion that you eagerly awaited justice to be exacted on the villains. Even more significant is that the man he was charged with bringing down had ties to the very same corporation that would revive him as the first RoboCop, which had the possibility of cementing his role not as a law enforcer out to protect the greater good, but to serve the whims of OmniCorp. In the end, he defied that, even being nearly destroyed and incapacitated when trying to stand up to the machinations of the company. He, managing to recover some ounce of humanity, intended in the end to stand by principles rather than by profit (indeed, his police force manages to operate solely because they negotiated a paying contract with OmniCorp, nullifying their ability to stand up to their benefactor's corruption and eventual tyranny), bringing down the corrupt power structure that both created him and sought to destroy him.

In this film (based on the trailers at least), characters appear to be clean and have lost the sad & rundown feel of the original (now, good luck feeling anything for anybody in this film); everyone knows exactly what they're doing it appears, whereas the original showed that they had some troubles getting the RoboCop project fully underway; backdrops look rather sanitized and have seemingly lost the nuanced appeal of the original (run-down and rather sad, as said above); it downplays the themes present in the original; there is no satire to be found (such as the rather ingenious commercials to be seen in the original film and its somewhat inferior sequel); the CGI behooves the new film of the visceral, raw nature of flesh melded with machine that managed to cement the original as a landmark entry amongst special FX titans; and Murphy's death in the remake could not possibly illicit a modicum of sympathy for him, let alone any real reaction given how generic and safe it is. I'm sure there are more problems that nobody will possibly see upon release, but at the same time it very well may have its strengths as well.

It just won't measure up to the 1987 classic, and even the somewhat inferior sequel. As Peter Weller said of the remake, (paraphrasing) it won't be able to do it (in comparison to the original).

With all this said & done, I will see this film come Valentine's Day, 2014. But as damned as I am for saying this, I know for sure that this film will end up a mediocre exercise in tedium, safely-played cinematic scope, and theme-deprived science fiction. Indeed, one of the major themes of the original wherein corporate greed & power is portrayed negatively, appears to have been reversed in a sense here and flat-out downplayed. But most importantly of all, how will the "remembering what it is to be a man, and a human" theme hold up in the remake? Will it eschew grandiose narrative and underlying thematic scope for sheer action and fall victim to executive meddling? We'll all see for ourselves on release day.

On the bright side I guess, it does have Samuel L. Jackson in it, so it's gotta be good, right?